The method or boring leaves quite a ragged edge around our drawing. We need to clean this up so we can see what's going on better.
I call it 'rough' setting in (of the flower edges) is because it's just that; there is no need to be precise. The drawing sits on the surface but the edges of the various elements will lie in 3D space, anywhere down to the back of the wood, so most of these setting in cuts will be removed.
Just do the flower parts; the frame needs extra special treatment.